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The past nine months have been a whirlwind for German rising star Rezident, DJ, producer, and live act, who is closing out the year with a stunning collection of originals and remixes from his acclaimed debut album 'Feeling Fades'.

This special release features the exclusive new single 'Swimming At Night' with Josha Daniel, alongside fresh remixes from Ezequiel Arias and L.GU. Since its release, 'Feeling Fades' has accumulated over 12 million streams across platforms, cementing Rezident’s place among the most exciting names in melodic and progressive house.

Over the past year, Rezident has toured extensively, opening for Above & Beyond on their North American Amphitheatre and Club Album Tour, and performing standout sets at Anjunadeep showcases in London, Amsterdam, Berlin, and Malta.

Tracks like “Muse” and “Only for a Moment” have already become fan favourites and modern Anjunadeep classics, with crowds singing along at every show.

Ezequiel Arias delivers a powerful rework of 'It’s All On You’ featuring Malou, first played during his unforgettable Anjunadeep Explorations set this past June. Meanwhile, Italian DJ and producer LG.U offers a fresh take on 'Muse', a remix that fans have been buzzing about since its first play by James & Jody at Anjunadeep London, Finsbury Park 2024.

With 'Feeling Fades (Deluxe)', Rezident closes an incredible chapter and sets the stage for an even brighter year ahead.

'Feeling Fades (Deluxe)’ is out November 10th on Anjunadeep.

Additional info:

Ezequiel Arias returns to Anjunadeep with ‘Extended’ - a special collection of extended mixes not previously released on streaming platforms, now available everywhere digitally and as an exclusive vinyl.

Hailing from Córdoba, a city in Argentina known for its vibrant progressive house scene, Ezequiel has spent over a decade honing his craft in the studio and behind the decks. Long championed as a future star by Argentinian electronic music legend Hernán Cattáneo, his recent momentum has skyrocketed. Sold-out parties where Ezequiel is the sole act on the lineup playing all-night sets have become the norm, alongside a touring schedule that has taken him around the world several times already in 2025. Particular highlights from this year include standout sets at Anjunadeep Malta and Anjunadeep Explorations festival in Albania, the release of highly anticipated track ‘Dream Controller’ in collaboration with Durante, and an unparalleled five Beatport #1s in the Progressive House chart.

The new ‘Extended’ product contains six Ezequiel Arias tracks. Side A spans his recent ‘ReAnimation EP’ including the title track, ‘Delirio’, and ‘What Is Music’, while Side B includes ‘Perfect Dream’, Anjunadeep 15 fan favourite ‘Love Rhythm’, and ‘Solar’, Ezequiel’s first release on the label as also featured in Anjunadeep 12.

‘Extended’ from Ezequiel Arias is out now on Anjunadeep. 

Additional info:

Leaving Laurel announces third studio album ‘our lives entwined’ alongside the release of lead single ‘her certain uncertainty’.

Since their self-titled debut in 2021, Leaving Laurel has evolved through both triumph and tragedy. Following Pierce’s passing, the duo’s second album, 'when the quiet comes' (2023), saw Pierce’s brother Griff Fulton joining the project. Subsequent releases include the 'disarm ep' on Anjunadeep and a reinterpretation of fan favourite single 'sometimes it’s scary but it’s still just you and me' on Anjunachill, with the early September single 'together (we are more)' serving as a prelude to the new album. Leaving Laurel has earned support from SiriusXM Chill, BBC Radio 1, and DJs including Joris Voorn, Lane 8, Nora En Pure, Black Coffee, John Digweed, Shallou, Paraleven, and Sébastien Léger.

'our lives entwined' represents Gordon Huntley’s first solo album under the Leaving Laurel name. The album is a deeply personal journey, born from a period of introspection and creative rediscovery. Beginning as an open exploration of sound, the recording process allowed Gordon to follow instinct and emotion, resulting in a collection that is both freeing and revealing.

Described as a wordless love story told through sound, the album traces the emotional arc of falling in love - from the initial spark and curiosity, through vulnerability, to the quiet realisation of an opened heart. Uplifting and hopeful, 'our lives entwined' reflects Gordon’s personal growth and his experience of finding “the one.”

Sonically, the album expands Leaving Laurel's signature sound while embracing new textures. Gordon moved away from the lo-fi experimentation of earlier works, leaning instead into a more expressive palette driven by synths and fresh instrumentation, while still preserving the nostalgic warmth that defines Leaving Laurel. The result is a collection that feels both renewed and rooted - a reflection of growth, optimism, and the timeless beauty of connection.

following a period of grief,

after the loss of my dear friend,

and musical collaborator,

i isolated myself somewhere familiar.

in a house on top of a hill

hidden in laurel canyon.

i was looking for inspiration,

not sure where i was headed.

and what came out of that time

was a falling in love record.

from the cold winter of loss,

blossoms out the light of spring.

a journey you can follow from the track titles themselves.

an instrumental album filled with hope for new beginnings.

– Gordon Huntley (Leaving Laurel)

With tracks under his belt such as 'Easy' (with Porter Robinson), 'Rebound' (with ARTY), 'The Sky' and 'Superman', Matan Zohar, formally known as Mat Zo, is one of Anjunabeats’ most celebrated artists. His GRAMMY-nominated debut album, ‘Damage Control,’ released in 2013, gave Mat’s avant-garde approach to production its full expression. Featuring break-out hit ‘Easy’, the track took Mat mainstream: a BBC Radio 1 A-List addition, Sirius XM BPM listing, a #1 Billboard Heatseeking record, an Essential Mix of the year nomination, and, ultimately, a GRAMMY nomination for best dance and electronic recording. 

The British producer’s latest studio album, ‘Illusion of Depth,’ was released on the label in October 2020. The album has garnered over 25 million streams and produced the singles 'The Next Chapter,' 'Problems,' and 'Colours’; the latter of which was placed in the soundtrack for the 2021 racing video game Forza Horizon 5. 

Last year, Mat Zo released the ‘ZOCASE EP’, a series of three lengthy tracks with cutting-edge sounds; each track a genre-less display, spacing between progressive house, breakbeat and techno.

Kicking off 2025 with ‘Wounded’, an official cover of Fleet Foxes 2020 track, ‘Can I Believe You’, the renowned producer followed up with another single, ‘Stupid O’Clock’ in early September. A showcase of masterful sound design, these singles provide a unique sonic experience that demonstrates Mat’s widely respected production skills. Now, he returns with his latest genre-defying production, ‘A Long Time’. Reminiscent of his emerging years and ongoing reputation for musical experimentation, ‘A Long Time’ shows off an extended journey of twists and turns through almost eight minutes.

[content title="Summary" label="Overall Score"] Mat Zo’s A Long Time is a striking example of contemporary electronic music production that demonstrates a sophisticated blend of technical precision and creative daring. At a steady 124 BPM, the track unfolds over nearly eight minutes, moving fluidly through progressive, trance, and indie dance elements. Its sonic architecture showcases advanced layering techniques, with basslines that interlock seamlessly with rhythmic percussion patterns and atmospheric harmonic textures. The use of stereo imaging, reverb tails, and spatial effects creates a three-dimensional listening environment, giving the track a festival-ready, immersive quality. From a production standpoint, A Long Time highlights meticulous attention to detail in its transitions and drops. Automated filter sweeps, volume modulation, and sidechain compression ensure that each build-up flows into its corresponding release with impact and clarity. The dynamic range is carefully managed, maintaining an energetic loudness level without sacrificing tonal balance. Mat Zo’s signature approach to sound design—merging raw, analog-inspired synths with polished digital timbres—makes the track both innovative and club-friendly. Its intro and outro structures are DJ-conscious, offering sync-friendly cue points and looping potential for set integration. Beyond its technical merits, the track has profound positive effects on mental health and wellness environments. Scientific studies have shown that rhythmic entrainment at moderate tempos (110–130 BPM) can enhance mood regulation, reduce stress, and improve focus (Thoma et al., 2013). The uplifting melodic hooks and harmonic progressions in A Long Time stimulate dopamine release, contributing to emotional uplift (Salimpoor et al., 2011). In fitness and movement-based wellness classes, such music supports sustained physical activity by promoting a natural synchronization of movement with rhythm, which has been linked to improved exercise performance and enjoyment (Karageorghis & Priest, 2012). For meditation or relaxation sessions focused on active mindfulness, its evolving sonic journey can encourage flow states, offering both cognitive stimulation and emotional relief. In human-centered terms, A Long Time demonstrates how well-crafted electronic music can transcend entertainment, acting as a tool for mental health support, physical engagement, and emotional well-being. Mat Zo’s balance of technical mastery and expressive artistry creates not just a track for the dance floor but an experiential soundscape that resonates with listeners on multiple levels. #PureGold Love iT[/content]

Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Darren Tate - In This Space EP [/item]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Thoma, M.V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U.M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Zatorre, R.J., & Salimpoor, V.N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(2), 10430–10437.
Karageorghis, C.I., & Priest, D.L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.

Rapidly ascending DJ and producer Amy Wiles ends the year on a high note with her most personal and emotionally charged project to date, “I Never Want This To End” EP, released November 7 on Anjunabeats. Across five tracks, Wiles pours her heart into a collection that captures the essence of her journey—the long nights, the relentless drive, and her unwavering love for electronic music. It’s a record that feels both intimate and expansive, showcasing the melodic trance sound that has become her signature while reflecting the growth and resilience that define her story.

Wiles has always been very vocal about her family sparking her interest in music from a young age. “My mum first introduced me to music; it was all learnt from her,” Wiles says. “She is a dance music and trance head. My dad also absolutely loves bands and indie rock, and my brother is also an artist and releases indie and rock-style music. I’m also really into this as well and I love to see bands at gigs and concerts in my spare time.”

Coming from a musical family that nurtured her from the very start, it was no surprise she quickly found her way into the industry while creating her own music. From intern to leading artist, Amy Wiles’ journey is one of determination and dedication. Since first joining Anjunabeats as a marketing intern, she has climbed the ranks to become a main part of the label’s global roster—performing at stages like Creamfields, Tomorrowland, Highlights, supporting KETTAMA in Ibiza, as well as growing her own headline shows including at legendary London club Ministry of Sound as well as Phonox.

Anjunabeats label head Gareth Jones recalls:

Now, with “I Never Want This To End”, Wiles delivers a snapshot of where her sound - and her spirit - are in 2025: euphoric, authentic, and full of heart. Each track showcases a different facet of Amy’s artistry: from the shimmering title track’s emotional crescendo to the festival-favorite “Heard It All Before”, and the sun-soaked melodic escape of “Balearic September”. Collaborations with Leena Punks, flowanastasia, and Angel City highlight her ability to bridge classic trance textures with modern energy.

BBC Radio 1’s Danny Howard recently dubbed Wiles “the leading lady of trance”, while fans and DJs alike have praised her “authentic, quality sound”. This latest collection reaffirms her place among the most inspiring figures in the new wave of trance artists.

[content title="Summary" label="Overall Score"]Amy Wiles’ 2025 release, I Never Want This To End, is an exemplary showcase of modern trance production combined with emotional resonance and technical mastery. Across its tracks, the EP reflects a finely tuned balance between euphoric energy and heartfelt melodic storytelling. Wiles’ production techniques highlight her deep understanding of contemporary trance and progressive sound engineering. Each track features meticulously layered harmonic elements, sculpted with precision EQ and dynamic range management that maintains clarity even at club-ready loudness levels. The title track’s 136 BPM foundation supports pulsating basslines and expansive midrange synths, reminiscent of late '90s trance, but with a modern polish achieved through multiband compression and subtle stereo widening. “Balearic September,” at 140 BPM, delivers a sun-soaked uplifter with bright harmonic layering and reverb tails that create a floating, immersive experience. Vocal-driven tracks like “Heard It All Before,” featuring Leena Punks and flowanastasia, demonstrate her skill in spatial mixing and sidechain ducking, allowing vocals to soar above the rhythmic intensity without masking the instrumental energy. The EP excels in its transitions, drops, and build-ups. Wiles employs tension-and-release structures with precision, often using filtered sweeps, riser automation, and percussive fills to lead into explosive drops that maintain dancefloor momentum. Tracks like “Dream Away” capture the essence of festival euphoria with singalong choruses layered over 138 BPM rolling rhythms, while “Each Other” creatively samples a classic motif, integrating it seamlessly into a modern trance framework. The energy flow across the EP is cohesive, enabling DJs to incorporate multiple tracks into a set effortlessly due to consistent BPM ranges and clean cue points. Beyond its technical merits, the EP carries significant psychological and physiological benefits. Research in music psychology suggests that high-BPM, melodically rich electronic music can enhance mood, reduce stress, and support cognitive engagement (Thompson et al., 2001; Chanda & Levitin, 2013). Tracks like “Balearic September” and “Dream Away” foster positive emotional states through the release of dopamine and endorphins, making them ideal for fitness sessions, yoga flow classes with an energetic twist, and mental wellness routines. Uplifting trance, with its repetitive structure and harmonic consonance, has been linked to meditative states and improved focus, offering tangible benefits for both emotional regulation and motivation. With BPMs ranging from 134 to 140, the EP is engineered for seamless integration into club and festival sets. Its dynamic energy and loop-friendly arrangements ensure that DJs can leverage each track for crowd engagement, with the melodic components providing strong emotional hooks for peak-time moments. The balance of classic trance nostalgia with forward-facing production makes these tracks highly replayable for both live audiences and home listeners. Amy Wiles’ I Never Want This To End EP is a masterclass in melodic trance, merging technical sophistication with emotional depth. It not only strengthens her artistic identity but also serves as a reminder of electronic music’s power to uplift, energize, and heal. For anyone seeking music that bridges the dancefloor and personal well-being, this EP is essential listening. #PureGold Love IT [/content]

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 Above & Beyond take fans on a heartfelt journey with their documentary “Stepping In: The Making of ‘Bigger Than All Of Us’”, a revealing look into the creative process behind their latest album. Directed by Myles Desenberg, the film captures the trio—Jono Grant, Tony McGuinness, and Paavo Siljamäki—at their most intimate and inspired, as they open the doors to the studio and invite audiences to experience the evolution of their music.

Featuring the soulful contributions of longtime collaborators Zoë Johnston, Richard Bedford, and Victoria Horn, the documentary unfolds as both a technical deep dive and an emotional exploration, highlighting the highs and challenges of bringing the album to life. Behind-the-scenes moments showcase the camaraderie, late-night sessions, and creative breakthroughs that define Above & Beyond’s signature sound.

A Visual and Emotional Journey

“Stepping In” doesn’t just document music—it tells a story of collaboration, resilience, and the search for meaning through artistry. With stunning cinematography by Phineas Sajous and expert sound mixing by Alex Leman and Igor Garanin, the film elevates the experience of Bigger Than All Of Us into a visual symphony.

For fans, this documentary is more than a behind-the-scenes look—it’s an invitation to step into the emotional heartbeat of Above & Beyond’s creative world.

Additional info:

Aneesh Gera, a globally touring DJ, producer, and a permanent fixture at the biggest electronic music festivals and clubs, divides his time between the UK and his hometown of Goa. He has graced iconic events such as VH1’s Supersonic, SUNBURN Festival, and the official Swedish House Mafia Concert After Party in the UK. His collaborations extend to renowned venues like Ministry of Sound in London, Gatecrasher in Europe, and International DJ Magazine – MixMag. 

As a DJ, Aneesh regularly performs at prestigious events including Ministry of Sound, Global Gathering Festival, Pacha Ibiza, Gatecrasher, VH1 UltraViolet, ADE, Sunburn Festival, and MTV & VH1’s SuperSonic Festival. His dynamic performances have made him a staple in the electronic music scene. 

In his role as a producer, Aneesh Gera made history as Asia’s first dance music producer to feature on the prestigious USA Billboard Dance Chart. His track “Flashback Rewind” reached #24 in February 2015, standing alongside global heavyweights like Madonna, Avicii, Ariana Grande, Beyoncé, and Calvin Harris. With over 150 releases to date, he has collaborated and signed with top labels including EMI UK, Black Hole Recordings (founded by Tiësto), Erick Morillo’s Subliminal Records, and Ibiza’s Pacha Recordings. In 2015, he was also invited by Grammy Nominee Eddie Amador to remix “Awake” with Lisa Williams. 

Beyond his work as an artist, music producer, and director of nightlife, Aneesh is also a record label owner, DJ, radio presenter, and audio engineer, showcasing his multifaceted talents in the music industry.

Aneesh’s latest release is the “Galaxy Traveler Ambient Mix” of his track “Aneesh Gera feat. Chitralekha Sen – Placebo” on Future Sound of Egypt Chill. To celebrate this release, we conducted an exclusive interview with Aneesh, which is now available to read on Flux BPM Online.

Renowned DJ and producer Aneesh Gera invites us into his world of electronic dance music, sharing the inspirations, challenges, and philosophies that have shaped his career. From his early days in Goa to performing on iconic stages worldwide, Aneesh has remained true to his art, constantly evolving while staying authentic. In this in-depth conversation, he opens up about his journey, creative process, and future aspirations. 

Aneesh Gera: Being raised in Goa, I feel like electronic music chose me rather than the other way around. Growing up surrounded by the culture and energy of the scene, it was a natural path for me to fall in love with this world. 

Aneesh Gera: Over the years, one of the most important lessons I’ve learned is to write and create for yourself. Don’t chase trends or try to become the next DJ XYZ. Music should reflect your story and your vision as an artist. Ironically, many don’t focus on that, but authenticity has always been my compass. 

Aneesh Gera: My Sennheiser HD 25s, a pair of solid earplugs, Logic Pro, and a little MIDI controller—and I’m good to go! That’s my essential toolkit for creating music anywhere. 

Aneesh Gera: One moment that always stays with me is the constant rejection from labels early in my career. A track of mine was passed over, only to be signed elsewhere and hit the World Top 10. Suddenly, the same labels came back asking if I had more music like the very track they rejected. That was both ironic and validating!

 

Additional info:

A classic reborn, Lustral's Everytime is expertly reimagined for today's scene by Newman (I LOVE) and Simone Vitullo. Overflowing with emotion, groove and mesmerizing melodies, this rendition carries the same warmth and irresistible atmosphere as the beloved original.

[content title="Summary" label="Overall Score"]Lustral’s iconic classic “Everytime” receives a powerful and masterful reinterpretation by Newman (I LOVE) and Simone Vitullo, transforming the beloved track into a modern deep melodic progressive house gem. Clocking in at a precise 124 BPM, this remix strikes the perfect balance between warm afrohouse-inspired tribal grooves and sophisticated, layered melodic progressions. From the opening moments, the production immediately captures attention with its intricate percussive textures and carefully sculpted spatial effects, creating a rich, immersive sonic landscape. The remix is a testament to advanced electronic music craftsmanship. Its foundation lies in a finely tuned kick and bass relationship, ensuring both punch and clarity on club sound systems. The rhythmic structure leverages syncopated shakers, congas, and rim hits to create a sense of organic flow, reminiscent of live percussion ensembles. Newman and Simone Vitullo employ subtle sidechain compression to maintain energy and space between layers, while stereo-delayed synth plucks and evolving pads add harmonic depth. The use of granular effects and reverbs with long tails establishes a dynamic, late-night atmosphere, enhancing its meditative qualities. The track demonstrates excellent transitions, drops, and build-ups, guiding listeners through a carefully constructed narrative arc. Each breakdown allows the vocals to breathe and shine, introduced with lush reverb and soft filters before soaring into euphoric peaks. The drops are not overly aggressive but rely on tension and release, maintaining a sophisticated energy flow suitable for both club floors and sunset beach sessions. This thoughtful arrangement ensures BPM consistency and loop potential, making it a DJ-friendly weapon for seamless set integration. The refreshed vocal treatment is a standout feature. Vocals are placed front and center, enhanced with light harmonic distortion and subtle chorus effects, creating a sense of intimacy and immediacy. The emotional resonance of the lyrics, combined with the harmonic layering and deep low-end warmth, fosters a profound sense of immersion. Listeners are transported into a contemplative state, evoking nostalgia while simultaneously delivering a modern and uplifting experience. Scientific studies suggest that rhythmic and melodic music in the 120–130 BPM range can enhance mood, reduce stress, and improve focus during physical activity. Research by Thoma et al. (2013) in PLOS ONE highlights that music with predictable rhythmic patterns can lower cortisol levels, aiding in stress management. Furthermore, Karageorghis and Priest (2012) in International Review of Sport and Exercise Psychology demonstrate that music with a steady tempo can improve exercise motivation, endurance, and perceived enjoyment. This remix’s flowing energy and hypnotic elements make it highly effective for yoga flow sessions, cycling classes, and meditative dance practices, promoting both physical wellness and mental clarity. From a performance perspective, this remix is perfectly structured for late-night or deep-set integration. Its dynamic energy and storytelling cohesion make it suitable for peak-time or after-hours moments. The track’s crowd reaction potential is amplified by its hypnotic groove and emotive vocal work, ensuring both dance floor engagement and long-term replay value. Lustral – Everytime (Newman (I LOVE) & Simone Vitullo Remix) is a masterclass in modern progressive house. The combination of meticulous production, emotional resonance, and wellness-oriented benefits elevates it beyond a simple club track into a holistic musical experience. This is a track that not only moves the body but also nourishes the mind. #PureGold Love IT [/content]

Additional info: